{"id":287,"date":"2023-08-11T07:58:13","date_gmt":"2023-08-11T13:58:13","guid":{"rendered":"https:\/\/wp-ilanlieberman.rhcloud.com\/?page_id=287"},"modified":"2025-08-05T15:46:29","modified_gmt":"2025-08-05T21:46:29","slug":"biography","status":"publish","type":"page","link":"http:\/\/www.ilanlieberman.com\/en\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"\r\n

Il\u00e1n Lieberman<\/strong>
(Mexico City 1969)<\/strong><\/p>\r\n\r\n

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Studies<\/strong>
2017-2019 B.A. in Art Education, Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda”, INBA, Mexico City.
1992 Leo Acosta\u2019s lithography workshop, San Carlos Academy, Mexico City.
1984-1987 Graphic design program, WIZO-Tzarfat School of Applied Arts, Tel-Aviv, Israel.<\/p>\r\n\r\n

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Filmography<\/strong>
Beno’s Son<\/em>, documentary feature film, 102:29′ (2022).
Ethnographical Film Forum of the VII Mexican Congress of Social Anthropology and Ethnology, Universidad Iberoamericana, Mexico City.
Anual Huapango Festival Encuentro de Las Huastecas<\/em>, Amatl\u00e1n, Veracruz, Mexico, 2023.
18th Edition of International Documentary Film Festival of Mexico City Docsmx<\/em>. Official Selection.
LASA International Film Festival 2023, Pittsburgh, PA. Official Selection.
10th Edition of Socially Relevant Film Festival NY. Official Selection.
World Premiere at the 20th Edition of The Morelia International Film Festival (FICM). Official Selection.<\/p>\r\n\r\n

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Solo exhibitions (selection)<\/strong>
2024 \u00bfHasvistoa..?, Estudio Marte, <\/em>Mexico City.
2023 Dispersi\u00f3n y aglomeraci\u00f3n<\/em>, Le Laboratoire Gallery, Mexico City.
2019 Semejante atracci\u00f3n<\/em>, Le Laboratoire Gallery, Mexico City.
2016 Soy de San Miguel del Progreso\/Ni kayot Xamikel del Progreso<\/em>, Museo Amparo, City of Puebla, Mexico.
2013 Foto real<\/em>, Frontground\/Galer\u00eda Manolo Rivero, Merida, Yucatan, Mexico.
2012 Disculpen la molestia<\/em>, Casa del Lago, Universidad Nacional Aut\u00f3noma de M\u00e9xico (UNAM), Mexico City.
2011 Por su propia seguridad<\/em>, Desir\u00e9 Saint Phalle Gallery, Mexico City.
2010 Pir\u00e1mide, <\/em>Sala de Arte P\u00fablico Siqueiros, Mexico City.
Dream Works<\/em>, Steve Turner Contemporary, Los Angeles, California.
2009 Lost Child<\/em>, Prince Claus Fund Gallery, Amsterdam, The Netherlands; El Paso Museum of Art, El Paso, Texas; Museo de la Ciudad de M\u00e9xico, Mexico City.
2008 Piezas so\u00f1adas<\/em>, Casa Vecina, Mexico City.
2005 Waste<\/em><\/em>, Celda Contempor\u00e1nea, Universidad del Claustro de Sor Juana, Mexico City; International Studio and Curatorial Program, New York, USA.
La muerte de Colosio, <\/em>La Fundaci\u00f3n Colosio, Mexico City.
2004 Semejanza, tres series de Il\u00e1n Lieberman<\/em>, Sala de Arte P\u00fablico Siqueiros, Mexico City; Museo de la Ciudad de Quer\u00e9taro, Queretaro; Museo de Arte de Sinaloa, Culiac\u00e1n, Mexico.
2003 Pasto, <\/em>Museo Universitario de Ciencias y Arte (MUCA Roma), Mexico City.
2002 Entre risa y llanto<\/em>, Galer\u00eda Jose Maria Velasco, Mexico City; Arcaute Gallery, Monterrey, Mexico.
1999 Corpus Delicti<\/em>, Museo del Ex-convento de Tepoztl\u00e1n, Morelos, Mexico.
1995 G\u00e9nesis<\/em>, OMR Gallery, Mexico City.<\/p>\r\n\r\n

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Group exhibitions (selection)<\/strong>
2025\u00a0Ciudades invisibles<\/em>, Le Laboratoire Gallery, Mexico City
2024 \u00bfHecho consumado?; memoria hist\u00f3rica, civismo cr\u00edtico y arte contempor\u00e1neo<\/em>, Complejo Cultural Los Pinos, Mexico City, curated by Guillermo Santamarina.
Suite No.1<\/em>, Fundaci\u00f3n Maceta, Mexico City.
2023 Sucesos en el horizonte<\/em>, El Palmar, Mexico City.
2022 Aura m\u00faltiple<\/em>, Museo de Arte Abstracto Manuel Flegu\u00e9rez, Zacatecas, Zacatecas, Mexico.
2021 Normal Exceptions: Contemporary Art in Mexico, <\/em>Museo Jumex, Mexico City.
2019 Arte mexicano contempor\u00e1neo. Sonora 2.1 apuntes para una colecci\u00f3n<\/em>, Museo de Arte de Sonora, Hermosillo, Sonora, Mexico.
Reverberaciones: arte y sonido en las colecciones del MUAC<\/i>, Museo Espacio, Aguascalientes, Aguascalientes, Mexico.
2018 Gr\u00e1fica Abierta: Rutas expansivas en la gr\u00e1fica mexicana<\/em>, Galerie B-312, Quebec, Canada.
Transcavaciones. Experiencia transdisciplinar entre arqueolog\u00eda y arte<\/em>, Museo de Antropolog\u00eda de Xalapa; Museo de la Ciudad “General Manuel Guti\u00e9rrez Zamora”, Veracruz, Mexico.
Resonancias,<\/em> Museo de la Ciudad de Quer\u00e9taro, Mexico.
2017 La Ciudad de M\u00e9xico en el arte. Traves\u00eda de ocho siglos<\/em>, Museo de la Ciudad de M\u00e9xico, Mexico City.
Los juegos del capricornio<\/em>, Arr\u00f3niz Arte Contempor\u00e1neo, Mexico City.
Reverberaciones: arte y sonido en las colecciones del MUAC<\/em>, MUAC, UNAM, Mexico City.
2015 Contemplac\u00e3o e inconformidade, Timeline BH<\/em> International Video Art Festival, Belo Horizonte, Brazil.
Las apariencias enga\u00f1an<\/em>, Museo Universitario del Chopo, UNAM. Mexico City.
Segunda primera bienal de escultura imaginaria<\/em>, transmitted from February 8th<\/sup> to June 30th<\/sup> on Radio UNAM, Mexico.
2014 Revires; una antolog\u00eda<\/em>, Casa de la primera imprenta de Am\u00e9rica, Universidad Aut\u00f3noma Metropolitana (UAM), Mexico City.
2013 La estampa de nuestro tiempo<\/em>, Museo de Arte Abstracto Manuel Felgu\u00e9rez, Zacatecas, Mexico.
Escotoma. Historia de butades<\/em>, Galer\u00eda Metropolitana, UAM, Mexico City.
2012 Feos, sucios y malos<\/em>, Espacio M, Mexico City.
Resisting the Present. Mexico 2000-2012<\/em>, Mus\u00e9e d\u2019Art moderne de la Ville de Paris\/ARC, Paris, France.
2011 Resisting the Present. Mexico 2000-2012<\/em>, Museo Amparo, Puebla, Mexico.
Transurbaniac<\/em>, Museo Universitario Arte Contempor\u00e1neo MUAC, Mexico City.
M\u00e9xico: pol\u00edtica y po\u00e9tica<\/em>, Nordic Watercolor Museum, Sweden; San Francisco State University Fine Arts Gallery, San Francisco, California.
2010 Espectograf\u00edas: memorias e historia<\/em>, MUAC, Mexico City.
Transurbaniac<\/em>, University of California San Diego Gallery UCSD, San Diego, California, USA.
The Mole’s Horizon<\/em>, Fine Arts Palace BOZAR, Brussels, Belgium.
2009 Intervenci\u00f3n 001- Academia 14<\/em>, Mexico City.
2008 Index 2 \u2013 Pulsi\u00f3n<\/em>, Galer\u00eda Hilario Galguera, Mexico City.
A\u2192B<\/em>, MUCA Roma, Mexico City.
Viva la muerte,<\/em> Centro Atl\u00e1ntico de Arte Moderno, Gran Canaria, Spain.
Archive Fever: Uses of the Document in Contemporary Art<\/em>, curated by Okwui Enwezor, International Center of Photography, New York, USA.
2007 Viva la muerte<\/em>, Kunsthalle Wien, Vienna, Austria.
Locus Solus (talks of inanimate reason at the country estate)<\/em>, Galer\u00eda Myto, Mexico City.
2006 Esquiador en el fondo de un pozo<\/em>, La Fundaci\u00f3n Colecci\u00f3n Jumex, Ecatepec, State of Mexico, Mexico.
2005\u00a0 Am\u00e9rica tropical<\/em>, Mexican Institute in Paris, France.
2002 XI Bienal de Pintura Rufino Tamayo<\/em>, Museo Rufino Tamayo, Mexico City.
1999 5\u00ba Sal\u00f3n de Arte Bancomer<\/em>, Fundaci\u00f3n Cultural Bancomer, Mexico City.
Nostalgia<\/em>, Galer\u00eda OMR, Mexico City.
Tierra, identidades dispersas<\/em>, MUCA CU, Mexico City.
1996 III Bienal Monterrey<\/em>, Museo de Monterrey, Monterrey, Mexico.
1995 Signos vitales<\/em>, Museo Jos\u00e9 Luis Cuevas, Mexico City.
1994 VI Bienal Diego Rivera<\/em>, Museo Casa Diego Rivera, Guanajuato, Mexico.<\/p>\r\n\r\n

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Teaching<\/strong>
Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda”, Mexico City, 2006 to 2024.
Direcci\u00f3n de Planeaci\u00f3n Educativa, of the National Institute of Fine Arts, Mexico, 2024 to present.<\/p>\r\n\r\n

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Musical research and promotion<\/strong>
Since 2015, he has done extensive research into the musical archive of his father, Baruj \u201cBeno\u201d Lieberman and his team, in association with Mexico’s National Sound Archive. As a result, in 2016 the collection Documentos sonoros de Baruj \u201cBeno\u201d Lieberman, Enrique Ram\u00edrez de Arellano y Eduardo Llerenas <\/em>was declared by UNESCO and inscribed in its Memory of the World Programme.
He is the executive producer, together with Toy Selectah, of the Original SONtrack of the movie Beno’s Son, <\/em>a double album in LP format, which is the first record of the label Al son de Beno Records<\/em>, dedicated to the promotion and distribution of Beno Lieberman’s traditional music archive as well as its present musical followers and heirs. The album was nominated for a Grammy 2025 for Best Album Notes written by Josh Kun.

Work in Public Collections<\/strong>
Museo de Arte Moderno, INBA, Mexico City.
Museo Universitario Arte Contempor\u00e1neo MUAC, Mexico City
Fundaci\u00f3n Jumex Arte Contempor\u00e1neo, Mexico City.
Museo Amparo, City of Puebla, Puebla.
Museo de Arte de Sonora MUSAS, Hermosillo, Sonora.
Museo de Arte de Sinaloa MASIN, Culiac\u00e1n, Sinaloa.
Pago en Especie Collection, Ministry of Finance and Public Credit,<\/b> Mexico.<\/p>\r\n\r\n

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Grants and Programs
<\/strong>2023 Programa de Fomento a Proyectos y Coinversiones, SACPC, M\u00e9xico.
2018-2021 Sistema Nacional de Creadores de Arte (SNCA), Fonca, Mexico.
2014-2016 Sistema Nacional de Creadores de Arte (SNCA), Fonca, Mexico.
2010-2013 Sistema Nacional de Creadores de Arte (SNCA), Fonca, Mexico.
2009 Prince Claus Fund for Culture and Development Grant, Netherlands.
Fundaci\u00f3n\/Colecci\u00f3n Jumex Grant, Mexico.
2005 International Studio and Curatorial Program (ISCP), artist residency in New York City. Sponsored by Fonca and The Mexican Cultural Institute of NY.
2002-2003 Programa de Fomento a Proyectos y Coinversiones, Fonca, Mexico.
2001-2002 Young Artist Fellowship (painting), Fonca, Mexico.
1994-1995 Young Artist Fellowship (painting), Fonca, Mexico.<\/p>\r\n\r\n

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Publications<\/strong>
2014 Il\u00e1n Lieberman \/ Foto real<\/em>, number 10 of the series Cuadernos h\u00edbridos<\/em>, with an essay by the artist, published by UAEM.
2013 Disculpen la molestia<\/em>, with essays by Willy Kautz and Libia F. Barajas Mariscal, published by UNAM.
2009 Ni\u00f1o perdido \/ Lost Child<\/em>, with essays by Fabrizio Mej\u00eda Madrid, Itala Schmelz and Chrsitian Gerstheimer, published by RM-MCM.
2003 Resemblance, three series by Il\u00e1n Lieberman, <\/em>with essays by Luis Carlos Emerich, Monica Castillo and the author, published with support from Fonca.<\/p>\r\n\r\n

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Critical essays<\/strong>
2024 “\u00bfUn nuevo affaire<\/em> por la pintura?”, by the author, Cubo Blanco<\/em> Magazine, June 7th, https:\/\/www.cuboblanco.org\/revista\/affaire-pintura-3<\/a><\/p>\r\n\r\n

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Bibliography<\/strong>
2024 \u201cAl son de Beno Lieberman\u201d with Bruno Bartra for Un mundo nos escucha<\/em>, C\u00f3digo 21<\/em>, July 26th, https:\/\/open.spotify.com\/episode\/6rtDzKLMY2TpQDjobX5TUi?si=d6guqaaoSnGAIWuPx2HMfw<\/a>
\u201cSontrack Al son de Beno\/Il\u00e1n Lieberman\u201d with H\u00e9ctor Ram\u00edrez for Artemx<\/em> UAM Radio, July 25th, https:\/\/open.spotify.com\/episode\/45HqzRdVAjkBvNphAQfmN3?si=G747WcWiT5SfnTht9h5opw<\/a>
“Respuesta a Il\u00e1n Lieberman”, by Daniel Montero, Cubo Blanco Magazine, June 14th, https:\/\/www.cuboblanco.org\/revista\/affaire-pintura-4<\/a>
“Guillermo Santamarina o, \u00bfLos Pinos alternativo?”, by Susan Crowley, Sinembargo magazine, April 27th, https:\/\/www.sinembargo.mx\/27-04-2024\/4493285<\/a>
“Al son de Beno. Folclor, un viaje y la familia”, by Cinthya Salas, Cameo<\/em> Magazine #30, February 18th, https:\/\/issuu.com\/revistacameo\/docs\/cameo_30<\/a>
“Al son de Beno de Il\u00e1n Lieberman: la m\u00fasica y la tragedia de un padre”, IMCINE, https:\/\/www.imcine.gob.mx\/Pagina\/Noticia\/al-son-de-beno-de-ilan-lieberman–la-musica-y-la-tragedia-de-un-padre-<\/a>
“Raymundo Gonz\u00e1lez, el estadio de los Santos, la entrevista con Ilan Lieberman y “Al Son de Beno” with Alejandro Tavares, Jalisco Radio, January 26th. https:\/\/www.youtube.com\/watch?v=Zg9TomR31i4<\/a>
“Al son de Beno: toda historia personal es universal”, by Andrei Maldonado, Cin\u00e9fagos<\/em> magazine, January 26th. https:\/\/revistacinefagos.blogspot.com\/2024\/01\/al-son-de-beno.html<\/a>
“Al son de Beno reconstruye la ca\u00f3tica vida y la tr\u00e1gica muerte de Baruj Lieberman”, by Jorge Caballero, La Jornada, January 24th, https:\/\/www.jornada.com.mx\/2024\/01\/24\/espectaculos\/a09n1esp<\/a>
“Se est\u00e1 perdiendo la m\u00fasica tradicional mexicana: Il\u00e1n Lieberman”, por Luis Felipe Reynoso, Quadrat\u00edn<\/em>, 24 de enero, https:\/\/www.quadratin.com.mx\/entretenimiento\/se-esta-perdiendo-la-musica-tradicional-mexicana-ilan-lieberman\/<\/a>
“Al son de Beno: un documental familiar”, by Esau Misael, El faro<\/em>, 22 de enero, https:\/\/www.elfaroenlascalles.com\/cine\/resena-son-de-beno\/<\/a>
“En Al son de Beno, Il\u00e1n Lieberman ofrece una reflexi\u00f3n sobre la figura del padre”, by Paula Carrizosa, La Jornada de Oriente<\/em>, January 21st, https:\/\/www.lajornadadeoriente.com.mx\/puebla\/en-al-son-de-beno-ilan-lieberman-ofrece-una-reflexion-sobre-la-figura-del-padre\/<\/a>
“Al son de Beno. Estreno 18 enero 2024. Entrevista con el director Il\u00e1n Lieberman”, by Ana Luc\u00eda Altamirano, Sala 13<\/em>, January 18th, https:\/\/www.youtube.com\/watch?v=hjBek0uNsRY&t=68s<\/a>
“Al Son de Beno<\/em>: Un viaje a trav\u00e9s de la m\u00fasica y la memoria”, by Daniela Ambriz, Unplugged News<\/em>, January 18th, https:\/\/unpluggednews.com.mx\/2024\/01\/18\/al-son-de-beno-un-viaje-a-traves-de-la-musica-y-la-memoria\/<\/a>
“Ofrece ‘Al Son de Beno’ homenaje al folclore mexicano”, by Abril Valad\u00e9z, Mural<\/em>, January 17th, https:\/\/www.mural.com.mx\/ofrece-al-son-de-beno-homenaje-al-folclore-mexicano\/ar2742110<\/a>
2023 Prisma RU<\/em>, Radio UNAM, Secci\u00f3n Cartograf\u00eda RU. Otto C\u00e1zares presents \u201cEl imposible olvido: about Il\u00e1n Lieberman’s film Beno’s Son<\/em>\u201d. October 16th, 01:34:35. https:\/\/www.radiopodcast.unam.mx\/podcast\/audio\/34251<\/a>
Prisma RU<\/em>, Radio UNAM, Cultural Section, Tamara Quiroz interviews filmaker Il\u00e1n Lieberman about his documentary Beno’s Son<\/em>. October 11th, 01:40:47. https:\/\/www.radiopodcast.unam.mx\/podcast\/audio\/34160<\/a>
Cubo Blanco magazine<\/em>, Granada Visual 14, September issue, https:\/\/www.cuboblanco.org\/granada-visual\/14<\/a>
La voz de Antonia<\/em>, <\/span>“Il\u00e1n Lieberman – El tenedor de prismas”, with Selva Hern\u00e1ndez y Ricardo Pohlenz, August 30th, https:\/\/podcasts.apple.com\/mx\/podcast\/il%C3%A1n-lieberman-el-tenedor-de-prismas\/id1651468598?i=1000626757849<\/a>
Bogart Magazine<\/em>, “Al son de Beno: un recorrido por el folclore mexicano” by Giovanna Ju\u00e1rez, July 31st, https:\/\/bogartmagazine.com.mx\/cine\/al-son-de-beno-un-recorrido-por-el-folclore-mexicano\/<\/a>
2022 “Best mexican Films of 2022” by Ulises Casta\u00f1eda, Cr\u00f3nica, Escenario, December 18th, https:\/\/www.cronica.com.mx\/escenario\/mejores-peliculas-mexicanas-2022.html<\/a>
“Il\u00e1n Lieberman, abre una puerta a la memoria musical con Al son de Beno” by Irving Torres Yll\u00e1n, Cr\u00f3nica, Cine, November 6th, https:\/\/www.cronica.com.mx\/escenario\/ilan-lieberman-abre-puerta-memoria-musical-son-beno.html<\/a>
“Il\u00e1n Lieberman presenta en el FICM documental del pionero de la musicolog\u00eda Beno Lieberman” by Bel\u00e9n Eligio, El Sol de M\u00e9xico, Cine, October 28th, https:\/\/www.elsoldemexico.com.mx\/cultura\/cine\/ilan-lieberman-presenta-en-el-ficm-documental-del-pionero-de-la-musicologia-beno-lieberman-9104215.html<\/a>
“La moviola en FICM 20 \/ Corsage y Al son de Beno: el encierro y la b\u00fasqueda” by Gerardo Gil Ballesteros, El Sol de M\u00e9xico, Analisis, October 28th, https:\/\/www.elsoldemexico.com.mx\/analisis\/la-moviola-en-ficm-20-corsage-y-al-son-de-beno-el-encierro-y-la-busqueda-9104181.html<\/a>
“Ni\u00f1o perdido, de Il\u00e1n Lieberman” by Pavel Granados, in cabezadeborrador, October 2nd., http:\/\/pavelgranados.blogspot.com\/2022\/10\/nino-perdido-de-ilan-lieberman.html?m=1<\/a>
2020 “Hac\u00eda un calor\u00f3n en Tlapehuala” by the artist, in the cultural section of Este Pa\u00eds<\/em> magazine, number 349, May-June, pp. 18-21. https:\/\/estepais.com\/impreso\/hacia-un-caloron-en-tlapehuala\/<\/a>
2019 Cover of the psychoanalysis magazine me cay\u00f3 el veinte,<\/em> number 39, published by me cay\u00f3 el veinte, Mexico City.
“Recuerdos de lo inmediato” by Eduardo Egea, Cr\u00f3nica, March 16th, http:\/\/www.cronica.com.mx\/notas\/2019\/1113357.html<\/a>
“Il\u00e1n Lieberman presenta Semejante atracci\u00f3n en Zona Maco” by Alfredo Fuente, El Universal, February 6th, https:\/\/www.eluniversal.com.mx\/metropoli\/cdmx\/ilan-lieberman-presenta-semejante-atraccion-en-zona-maco<\/a>
2017 “Apropiaciones, documentalismo y mass media” by Elena Rosauro, in the book Historia y violencia en Am\u00e9rica Latina. Pr\u00e1cticas art\u00edsticas. 1992-2012<\/em>, published by Centro de Documentaci\u00f3n y Estudios Avanzados de Arte Contempor\u00e1neo (CENDEAC), Murcia, Spain.
2016 “Pictorial Eviscerations, Emblems and Self-Immolation in Mexico” by Erica Segre, in the book Sabotage Art: Politic and Iconoclasm in Latin America<\/em>, edited by Sophie Halart y Mara Polgovsky Escurra, I.B.Tauris Publishers, London.
\u201cLas apariencias enga\u00f1an. Exploraciones a partir de la fotograf\u00eda en M\u00e9xico\u201d by Ricardo Pohlenz, Art Nexus <\/em>magazine, issue #100, March-May, pp. 124-126.
\u201cSoy de San Miguel del Progreso, testimonio de un pueblo hecho exposici\u00f3n\u201d by Sandra S\u00e1nchez, Excelsior newspaper, February 9th, http:\/\/www.excelsior.com.mx\/expresiones\/2016\/02\/09\/1073910<\/a>
\u201cHuitzilan est\u00e1 organizado\u201d by Adri\u00e1n Salazar, Sexenio Puebla, February 3rd, http:\/\/www.sexenio.com.mx\/puebla\/articulo.php?id=52337<\/a>
\u201cAntorcha Campesina: Protesta cultural en el z\u00f3calo de Puebla\u201d by Antorcha TV, January 25th, https:\/\/www.youtube.com\/watch?v=vGQmDAVIR18<\/a>
\u201cCampesinos levantan la voz en el Museo Amparo\u201d by the press office of the Antorchista Movement Puebla, January 25th, http:\/\/www.antorchacampesina.org.mx\/noticias.php?id=17419#.V_BaAbXAXNV
\u201cAl lado de sus habitantes, Il\u00e1n Lieberman construy\u00f3 la historia de San Miguel del Progreso\u201d by Paula Carrizosa, La Jornada de Oriente newspaper, January 22nd, http:\/\/www.lajornadadeoriente.com.mx\/2016\/01\/22\/al-lado-de-sus-habitantes-ilan-lieberman-construyo-la-historia-de-san-miguel-del-progreso\/<\/a>
2015 \u201cDesaparecido y cad\u00e1ver: Ni\u00f1o perdido versus muerta de Ju\u00e1rez\u201d by Sergio Rodr\u00edguez Blanco in his book Palimpsestos mexicanos<\/em>, published by Centro de la imagen, Conaculta, pp. 98-104.
\u201cPalabra, silencio, imagen\u201d by Israel Rodr\u00edguez, Gaceta Luna C\u00f3rnea 03 September-December, pp. 20-24.
\u201cEl arte de las apariencias\u201d by Sonia \u00c1vila, Excelsior, Expresiones, September 7th, p. 5.
\u201cKunst im Ausnahnezustand\u201d by Ursula Maria Probst, Kunstforum International magazine, number 235, August-September, pp. 231-234.
2014 \u201cPhotography and Violence: Ilan Lieberman\u2019s Lost Child\u201d by Lorena Marr\u00f3n in The Camera Club of New York website http:\/\/www.baxterst.org\/category\/blog-authors\/lorena-marron\/<\/a>
\u201cIl\u00e1n Lieberman, La fotocopiadora humana\u201d in the book D\u00e9j\u00e0 Vu. Celda contempor\u00e1nea 2004\/2007, cubo blanco, pp. 214, 215.
\u201cRevires. Una antolog\u00eda\u201d by Pilar Villela, issue #5 of Ca\u00edn magazine and webzine http:\/\/www.cain.mx\/C5\/3.html<\/a>
2013 \u201cFoto real\u201d by the artist in the book Limitess: Contemporary Art in Mexico City 2000-2010, rm, pp. 428-429, 443.
\u201cFoto real: entrevista con Il\u00e1n Lieberman\u201d by Genoveva De la Pe\u00f1a in the webzine http:\/\/www.replica21.com\/archivo\/articulos\/c_d\/668_delapena_lieberman.html<\/a>
2012 \u201cNot Quite How I Remember It\u201d by Ian Farr; \u201cThe Anarchive\u201d by Tom McDonough in the book Memory; Documents of Contemporary Art, Whitechapel Gallery y MITPress, pp. 24, 188.
\u201cEl retrato en ausencia\u201d by Vesta M\u00f3nica Herrer\u00edas in the book A trav\u00e9s de la m\u00e1scara, published by Fundaci\u00f3n Televisa, pp. 237, 244-255.
“La resistencia pl\u00e1stica ante la violencia mexicana, en Paris” by Anne Marie Mergier, Proceso<\/em> Magazine, March 20.
2011 \u201cNebuloso fulminante\u201d by Alberto Chimal, in the book El libro rojo continuaci\u00f3n II, published by Fondo de Cultura Econ\u00f3mica, p. 312.
Exhibition catalog of Resisting the Present. Mexico 2000-2012, homonymous essay by Angeline Scherf and Angeles Alonso Espinoza, pp. 206-217, To Disappear by Guillermo Fadanelli, pp. 254-263.
\u201cContemporary Mexican Art in Context\u201d by Itala Schmelz, Exhibition catalog of M\u00e9xico \u2013 Poetry & Politics, p.37.
2010 \u201cEntre la ausencia y la presencia, el recuerdo y el olvido\u201d by Elo\u00edsa Hern\u00e1ndez Viramontes, Exhibition catalog of Espectrograf\u00edas: memorias e historia, published by unam, pp.119-125.
\u201cDevoci\u00f3n y diferencia en casa de Siqueiros\u201d by Edgar Alejandro Hern\u00e1ndez, Excelsior newspaper, Comunidad, March 8, p.7.
\u201cIl\u00e1n Lieberman at Steve Turner Gallery\u201d by Sharon Mizota, Los Angeles Times, Arts, February 26. http:\/\/latimesblogs.latimes.com\/culturemonster\/2010\/02\/art-review-ilan-lieberman-at-steve-turner-gallery.html<\/a>
\u201cEl arte contempor\u00e1neo exhibe en Europa al M\u00e9xico violento\u201d by Sonia Sierra, El Universal newspaper, Kiosco section, February 19, p.18.
2009 \u201cPintura e intervenci\u00f3n\u201d by Cuauhtemoc Medina, El ojo breve, Reforma newspaper, Cultura section, May 27, p.25.
\u201cEncuentra arte en la desaparici\u00f3n\u201d by Sergio R. Blanco, El \u00c1ngel cultural supplement of Reforma newspaper, May 24, p. 5.
\u201cFotograf\u00edas hechas a mano\u201d by Mar\u00eda Minera, Letras Libres magazine, issue #123, p. 74.
\u201cInspira a artista el Ni\u00f1o Perdido\u201d by Marcos Cazar\u00edn, Metro newspaper, Ciudad section, January 29, p. 5.
\u201cNi\u00f1os perdidos encuentran exposici\u00f3n\u201d by Abraham Flores, Milenio newspaper, Cultura section, January 29.
2008 \u201cDeep in the Archive\u201d by Ulrich Baer, Aperture magazine, issue #193, pp. 54-59.
\u201cAu Mexique, min\u00e9 par la violence, les artistes s’appuient sur de riches collectionneurs\u201d by Harry Bellet, Le Monde newspaper, Culture section, November 9.
\u201cEvery Photo an Archive\u201d, by Susie Linfield, The Nation magazine, May 5, pp. 30-33.
\u201cWell, It Looks Like Truth\u201d, by Holland Cotter, Weekend Arts, The New York Times newspaper, January 18, E31, 34.
\u201cArchive Fever: Photography Between History and the Monument\u201d by Okwui Enwezor; Archive Fever: Uses of the Document in Contemporary Art exhibition catalog, pp. 28, 29.
2007 \u201cA Tireless Death Without End\u201d by Thomas Mie\u00dfgang, Viva la muerte exhibition catalog, pp. 56-57.
\u201cLa invenci\u00f3n de Morel\u201d, by Michel Blancsub\u00e9, Fahrenheit magazine issue #22, April-May, pp. 39,42.
\u201cEntre la literalidad y el enigma\u201d, by Cuauht\u00e9moc Medina, El ojo breve, Reforma newspaper, Cultura section, April 25, p. 10.
\u201cOtra mirada a la reproducci\u00f3n\u201d, by Tonatiuh Arroyo, Retrato Hablado, Excelsior newspaper, Comunidad section, March 10, p. 5.
\u201cLa encrucijada y la c\u00e1mara\u201d, by Cuauht\u00e9moc Medina, El ojo breve, Reforma newspaper, Cultura section, February 7, p. 10.
2006 \u201cInasible y multicolor\u201d by Jorge Ochoterena Bergstrom, Milenio newspaper, September 5, Cultura section.
\u201cConfusion Will Be My Epitaph\u201d by Michel Blancsub\u00e9 p. 269, \u201cDanger Signals\u201d by Fr\u00e9d\u00e9ric Bonnet p. 272; Esquiador en el fondo de un pozo exhibition catalog, fifth interpretation of La Colecci\u00f3n Jumex.
2005 \u201cThey call him \u2018The Human Photocopier\u2019\u201d by Jonathan Clark, The Herald Mexico Edition newspaper, December 13, Art, pp. 4-5.
\u201cRegistro y remisi\u00f3n” by Cuauhtemoc Medina, El ojo breve, Reforma newspaper, Cultura section, November 23, p. 10.
\u201cLa Fotocopiadora Humana\u201d by Adolfo Su\u00e1stegui, Semanario de lo Ins\u00f3lito, Issue #733, pp. 24-25.
\u201cColosio foundation exhibits assassination paintings\u201d by Benedict Mander, The Herald Mexico Edition newspaper, Nuestro mundo section, April 12, p. 4.
\u201cCaso Colosio: el arte de la confusion\u201d by Laura Cortes, Milenio newspaper, March 23, p. 33.
\u201cRecrean pinturas muerte de Colosio\u201d by Erika P. Bucio, Reforma newspaper, March 23 2005, Cultura section p. 13C.
\u201cLa muerte de Colosio seg\u00fan Il\u00e1n Lieberman\u201d by Itala Schmelz, El Universal newspaper, Confabulario cultural supplement, March 19, p. 13.
2004 \u201cA imagen y semejanza de la imagen. Algunas lecturas sobre la obra reciente de Il\u00e1n Lieberman\u201d by Erik Castillo Corona, Curare art criticism magazine, vol. 24, Mexico, July-December, pp. 27-30.
\u201cSemejanza: Llorar y llorar de Il\u00e1n Lieberman\u201d by the artist, Complot magazine, October, pp. 18-23.
\u201cA imagen y semejanza\u201d by Barbara Perea, Donde ir magazine, September, p. 91.
\u201cEl significado de la repetici\u00f3n\u201d by Heike Sons, El Economista newspaper, Mexico, Plaza section, August 12, p. 5.
\u201cLa imposible muerte de la pintura\u201d by Maria Luisa Lopez and Dulce Colin, La Revista magazine, June 14, pp. 40-43.
\u201cSemejanzas de Lieberman\u201d by Benigno Aispuro, El Debate newspaper, Culiacan, Sinaloa, January 17, p. 20-C.
2003 \u201cRepetici\u00f3n pict\u00f3rica\u201d by Alejandro Suverza, Cambio magazine, November 16, p. 32.
2002 \u201cPintar al pie de la letra: Autorretratos de Il\u00e1n Lieberman\u201d by Marina Lieberman, essay for Between Laughter and Tears exhibition.
\u201cRe\u00edr o llorar, dicotom\u00eda pl\u00e1stica de Il\u00e1n Lieberman\u201d, by Edgar C\u00f3rdova, Milenio newspaper, August 2, p. 45.
\u201cMuestra de Il\u00e1n Lieberman\u201d by Merry Mac Masters, La Jornada newspaper, Cultura section, August 15, p. 5A.
1999 Untitled essay by Luis Carlos Emerich for Corpus Delicti exhibition.
\u201cTierra, identidades dispersas\u201d by Edgardo Ganado Kim, Tierra, identidades dispersas exhibition catalog, pp. 32, 45.
1995 \u201cPeque\u00f1ez e Infinidad\u201d by Luis Carlos Emerich, Novedades newspaper, June 16, p. C16.
\u201cMelancol\u00eda y G\u00e9nesis\u201d by Ruben Gallo, essay for Genesis exhibition.
1991 \u201cItzamdut lanose\u201d by Hagay Argov, Arim newspaper, Israel, September 27. p. 49.<\/p>\r\n\r\n

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Il\u00e1n Lieberman(Mexico City 1969)   Studies2017-2019 B.A. in Art Education, Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda”, INBA, Mexico City.1992 Leo Acosta\u2019s lithography workshop, San Carlos Academy, Mexico City.1984-1987 Graphic design program, WIZO-Tzarfat School of Applied Arts, Tel-Aviv, Israel.   FilmographyBeno’s Son, documentary feature film, 102:29′ (2022).Ethnographical Film Forum of the VII Mexican […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-287","page","type-page","status-publish","hentry"],"wps_subtitle":"","_links":{"self":[{"href":"http:\/\/www.ilanlieberman.com\/en\/wp-json\/wp\/v2\/pages\/287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.ilanlieberman.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.ilanlieberman.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.ilanlieberman.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.ilanlieberman.com\/en\/wp-json\/wp\/v2\/comments?post=287"}],"version-history":[{"count":345,"href":"http:\/\/www.ilanlieberman.com\/en\/wp-json\/wp\/v2\/pages\/287\/revisions"}],"predecessor-version":[{"id":2484,"href":"http:\/\/www.ilanlieberman.com\/en\/wp-json\/wp\/v2\/pages\/287\/revisions\/2484"}],"wp:attachment":[{"href":"http:\/\/www.ilanlieberman.com\/en\/wp-json\/wp\/v2\/media?parent=287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}